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Theodore Robinson
Woman in a White Cap
1884
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Theodore Robinson
From the Hill,Giverny (nn02)
c.1889
Oil on canvas
16x25 1/2"
Terra Museum of American Art,Chicago
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Theodore Robinson
Gathering Plums (nn02)
1891
Oil on canvas
22x18"
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Theodore Robinson
La Debacle (nn02)
1892
Oil on canvas.
18x22"
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Theodore Robinson
Boats at a Landing (nn02)
1894
Oil on canvas
18 1/2x22"
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Theodore Robinson
World's Columbian Exposition
mk77
1894
Oil on canvas
25x30in
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Theodore Robinson
William Stott,Bois de Clamart
mk142
near Paris
1879
Oil on canvas
22.5x18.4cm
Courtesy of the Spanieman Gallery
New York
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Theodore Robinson
The Watering Pots
mk140
1890
Oil on canvas
55.9x45.8cm
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Theodore Robinson
Valley of the Seine
mk146
1892
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Theodore Robinson
Fifth Avenue at Madison Square
mk151
1894-95
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Theodore Robinson
Bird-s-Eye View Giverny France
mk177
1889
Oil on canvas
25x32
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Theodore Robinson
Union Square in Winter
mk177
1895
Oil on canvas
20x17
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Theodore Robinson
La Debacle
mk177
1892
Oil on canvas
18x22in
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Theodore Robinson
Der Hochzeitsmarsch
mk181
1892
Ol auf Leinwand
56.1x66.6cm
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Theodore Robinson
Two in a Boat
mk235
1891
oil on canvas
1891
23.8x34.6cm
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Theodore Robinson
La debacle
mk235
1892
Oil on canvas
45.8x55.9cm
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Theodore Robinson
The Wedding March
mk235
1892
Oil on canvas
56.7x67.3cm
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Theodore Robinson
La Vachere
La Vach??re (ca. 1888) Smithsonian American Art Museum
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Theodore Robinson
La Debacle
La D??bâcle, 1892, collection: Scripps College, Claremont, California
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Theodore Robinson
Theodore Robinson, Low Tide Riverside Yacht Club
Theodore Robinson, Low Tide Riverside Yacht Club, (1894), Collection of Margaret and Raymond Horowitz
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| Theodore Robinson
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1852-1896
Theodore Robinson (July 3, 1852 ?C April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism.
In 1884 Robinson returned to France where he would live for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet.
La Debacle, 1892, collection: Scripps College, Claremont, CaliforniaHistorians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress.
At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. An example of his mature work during this period is La Debacle (1892) in the collection of Scripps College, Claremont California.
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